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For years fiddlers and folklorists have prized the old-time fiddle tunes from Kentucky. Many of the most outstanding country music artists hail from the state, including Bill Monroe, widely regarded as the founder of bluegrass music. Even Aaron Copland lifted, note-for-note, a Kentucky fiddler’s performance of “Bonaparte’s Retreat” for the “Hoedown” section of his ballet Rodeo
- Sales Rank: #1765789 in eBooks
- Published on: 2001-10-05
- Released on: 2001-10-05
- Format: Kindle eBook
Review
"Journal of Folklore Research"―The CD on its own would be one of the best old-time records of the year. The boo
About the Author
Jeff Todd Titon, professor of music and director of the Ph.D. program in ethnomusicology at Brown University, is the author of numerous books on American music, including Early Downhome Blues.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Old-Time Kentucky Fiddle Tunes
By Matty C
Written with a thorough appreciation for the subject matter....great tune selections, Many with a history of the piece and accompanying CD versions.
7 of 7 people found the following review helpful.
Indispensable Resource for Fiddlers
By Brian Scott
This is an indispensable resource for people interested in the fiddling traditions of Kentucky. It includes transcriptions of 170 tunes from a number of Kentucky fiddlers, some well-known (relatively speaking) and some rather obscure. The tunes also run the gamut of familiar (Arkansas Traveler) to obscure (Cotton Bonnet, Pick a Little Cotton and Spin Some Too, and many many other examples). Transcription alone may not be enough to convey the sound and feeling of the tunes so Titon has included a CD with this volume which is a selection of tunes from the book played by the source fiddlers. I wish Titon had included more tunes on this CD as it only covers a few of the 170 tunes in the book. However, for those who wish to locate more of the source tunes, there is a great resource where one can download many of them for this book (but certainly not all). It is the Digital Library of Appalachia (do a Google search and you will find it). Here you can search for a tune or fiddler and download MP3's for free. Much of Titon's book is based on field recordings done by folklorists like Bruce Greene and John Harrod, and these people have donated their recordings to the various libraries involved in the Digital Library project. For example, one can download the complete home recordings of Kentucky fiddler John Salyer on this website-- this includes all the Salyer tunes in Titon's volume and many more that are not transcribed in his book.
In my experience not all of the transcriptions exactly match the source tunes, but Titon admits in the introduction it is nearly impossible to fully capture a fiddler's setting for a tune on the written page. This is true, and I use this resource as a companion to the source tunes to clarify certain passages when needed and learn the tunes primarily by listening to them. Titon's transcriptions are clean and simple, and he does not muddy the page with a lot of prescribed bowing patterns-- he allows the fiddler to interpret the transcription and come up with his/her own bowing patterns for the tunes.
Each tune has a brief history printed below the transcription along with a list of other fiddlers who have recorded the tune (published and unpublished versions) and other books where the tune has been transcribed.
This volume also includes an excellent introduction on the evolution of old-time fiddling in Kentucky and the various tune types that have evolved in Kentucky (Titon outlines 3 different types distinguished by region). Titon includes a capsule biography section that gives a brief bio on each of the fiddlers whose tunes are transcribed in the book and in many cases a photo of the fiddler.
Overall, this is a great resource and learning tool for fiddlers and others interested in Appalachian fiddling traditions. It is in my opinion one of the best (if not the best) books on the subject of Appalachian fiddling. Highly recommended!
10 of 10 people found the following review helpful.
Tunes and History
By A Customer
Titon's book is an excellent compilation of fiddle tunes from Kentucky. After introductory material that places his scholarship within the history of research on old-time fiddling, Titon focuses on the transcriptions of 170 tunes that are either unique to Kentucky or else characteristic of Kentucky fiddling styles. The tunes are transcribed in clear, accessible, and accurate musical notation. He includes transcriptions of older recordings made decades ago as well as transcriptions of recent field recordings. The tunes are from the repertoires of numerous players, and the transcriptions should thus be very useful in comparing individual techniques. They also will add to the store of tunes that fiddlers can play. Titon includes discographic and historical information on each tune, thereby adding to the usefulness of his study of Kentucky fiddling. I also appreciated the biographical information and photographs of the various fiddlers, and listening to the accompanying CD warmed the written notes on the cold, printed page. The book has a terrific bibliography for those interested in additional research on fiddling, and I highly recommend this book to anyone interested in folk music, folklorists' scholarship, and Kentucky history. My only critique of the book is that Titon could have included more information about the style of fiddling used in each tune. Simply discussing bowing techniques, tempo, and ornamentation for various tunes within the pages where they were transcribed would have helped round out the excellent treatment of Kentucky fiddling.
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